Essay, Research Paper: Macbeth

Shakespeare: Macbeth

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Macbeth, written by William Shakespeare, is the tragic tale of Macbeth, a
virtuous man, corrupted by power and greed. This tagedy could in fact be called
"A Tale of Two Theories". One theory suggests that the tragic hero,
Macbeth, is led down an unescapable road of doom by an outside force, namely
fate in the form of the three witches. The second suggests that there is no
supernatural force working against Macbeth, which therefore makes him
responsible for his own actions and inevitable downfall. It must be remembered
that Macbethis a literary work of art, and as a peice of art is open to many
different interpretations, none of them right and none of them wrong. But the
text of the play seems to imply that Macbeth is indeed responsible for his own
actions which are provoked by an unwillingness to listen to his own conscience,
the witches, and his ambition. First, Macbeth ignores the voice of his own
psyche. He knows what he is doing is wrong even before he murders Duncan, but he
allows Lady Macbeth and greed to cloud his judgement. In referring to the idea
of the murder of Duncan, Macbeth first states,"We will proceed no further
in this business"(I.vii.32). Yet, after speaking with Lady Macbeth he
recants and proclaims,"I am settled, and bend up/Each corporal agent to
this terrible feat"(I.vii.79-80). There is nothing supernatural to be found
in a man being swayed by the woman he loves, as a matter of fact this action
could be perceived as quite the opposite. Second, the witches have to be
dispelled as a source of Macbeth's misfortune before the latter theory can be
considered. It is admittedly strange that the weird sisters first address
Macbeth with,"All hail, Macbeth! hail to thee Thane of Cawdor!"(I.iii.49),
a title which not even Macbeth is aware he has been awarded. Even stranger is
the third witch calling to Macbeth,"All hail, Macbeth, that shalt be king
hereafter!"(I.iii.50). However as stated by Bradley,"No connection of
these announcements with any actions of his was even hinted by [the withches]"(232).
Some are still not convinced though of the witches less than supernatural role;
nevertheless, Macbeth appears throughout the play to be completely aware 3 of
his actions, as opposed to being contolled by some mystic force. The effect of
the witches on the action of the play is best summarized by these words:
...while the influences of the Witches' prophecies on Macbeth is very great, it
is quite clearly shown to be an influnce and nothing more.(Bradley 232) Most
important to the theory that Macbeth is reponsible for his own actions would be
a point that the infamous witches and Macbeth agree upon. Such an element exists
in the form of Macbeth's ambiton. In the soliloquy Macbeth gives before he
murders Duncan, he states, "...I have no spur/To prick the sides of intent,
but only/Vaulting ambition,..."(I.vii.25-27). Are these the words of a man
who is merely being led down a self dustructive path of doom, with no will of
his own? Or are they the words of a man who realizes not only the graveness of
his actions, but, also the reasons behind them? The answer is clear, Macbeth is
a totally cognizant principal and not a mindless puppet. Later the head witch,
Hecate, declares,"Hath been but for a wayward son,/Spiteful and wrathful,
who, as others do,/Loves for his own ends, not for you." (III.v.11-13),
which again highlights Macbeth's ambitious nature. The most significant part of
the play is the part that is missing, and that is a connection between Macbeth's
ambition and some spell cast by the weird sisters which might be said to
magically cause an increase in his desires. While purposely played in a
mysterious setting, the location is not meant to cloud the true theme of the
play with the supernatural. Macbeth simply succumbs to natural urges which take
him to a fate of his own making. Everyone has character flaws that he must live
with; Macbeth simply allowed those flaws to destroy him. 3

BibliographyBradley, A.C. "The Witch Scenes in Macbeth." England in Literature.
Ed. John Pfordesher, Gladys V. Veidemanis, and Helen McDonnell. Illinois: Scott,
Foresman, 1989. 232-233 Shekespeare, William. Macbeth. England in Literature.
Ed. John Pfordesher, Gladys V. Veidemanis, and Helen McDonnell. Illinois: Scott,
Foresman, 1989. 191-262
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